The six-person crew of a long-tour medical/rescue ship receive a distress signal from a distant mining operation. So, responding to such things being their raison-d'etre, they respond. Needless to say, in the interest of drama, it doesn't go entirely smoothly. (For more details, watch the film.)
For a ship with a crew of six, they did pretty well on the high-Charisma-rolls bell curve - James Spader, Angela Bassett, Lou Diamond Philips, and Robin Tunney are all aboard ...
And the ship itself, Nightingale 229, is an interesting design - it appears logically modular, with a spinning section in the middle, presumably to provide artificial gravity, but the non-spinning bridge does not appear to be in zero-gravity. The shuttle, meanwhile, has an odd steampunk look to it. And I did find myself wishing that they'd just turn some proper white lights on, rather than relying on LED blue for the bulk of the interior lighting - surely, on a medical vessel, that would make finding a vein a challenge ...
Overall, a pretty good SF horror (not as horrific as Event Horizon, but few are ...) with a small crew facing a greater-than-expected challenge.
For a ship with a crew of six, they did pretty well on the high-Charisma-rolls bell curve - James Spader, Angela Bassett, Lou Diamond Philips, and Robin Tunney are all aboard ...
And the ship itself, Nightingale 229, is an interesting design - it appears logically modular, with a spinning section in the middle, presumably to provide artificial gravity, but the non-spinning bridge does not appear to be in zero-gravity. The shuttle, meanwhile, has an odd steampunk look to it. And I did find myself wishing that they'd just turn some proper white lights on, rather than relying on LED blue for the bulk of the interior lighting - surely, on a medical vessel, that would make finding a vein a challenge ...
Overall, a pretty good SF horror (not as horrific as Event Horizon, but few are ...) with a small crew facing a greater-than-expected challenge.